In the April 25 episode of The Vampire Diaries, which serves as a backdoor pilot to a New Orleans-set Originals spinoff, Klaus (Joseph Morgan) gets word that witches in The Big Easy are conspiring against him. He returns to the city that his family helped build — and then fled about 100 years ago — to explore the threat. Elijah (Daniel Gillies) follows. ”His interest in Klaus for 1,000 years has been how to dig deep past Klaus’ ego and paranoia, and all the things that have made Klaus such a vicious person over the years — he’s always searching for some form of redemption for his brother,” says executive producer Julie Plec. ”What he sees in New Orleans, and what he finds out in the context of a place where they were once happy as a family, is an opportunity to rebuild that with Klaus and with Rebekah and put the broken bits of the Original family back together.”
Pictured is the final scene between the brothers. ”It’s a beautiful, simple scene where they talk about their potential future in the town,” Morgan says. ”After all of the confrontations and all of the history, it’s really nice to have a simple scene just about two brothers.”
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KLAUS RETURNS TO HIS PAST IN NEW ORLEANS — Acting on a mysterious tip that a plot is brewing against him in New Orleans, Klaus (Joseph Morgan) makes a trip to the town he and his family helped build. Klaus’ questions lead him to a reunion with his former protégé, Marcel (guest star Charles Michael Davis), a charismatic vampire who has total control over the human and supernatural inhabitants of New Orleans. Determined to help his brother find redemption, Elijah (Daniel Gillies) follows Klaus and soon learns that Hayley (guest star Phoebe Tonkin) has also come to the French Quarter searching for clues to her family history, and has fallen into the hands of a powerful witch named Sophie (guest star Daniella Pineda). Meanwhile, in Mystic Falls, Damon (Ian Somerhalder) and Stefan (Paul Wesley) continue with their plan for Elena (Nina Dobrev), while Katherine (Nina Dobrev) reveals a surprising vulnerability to Rebekah (Claire Holt) and asks her to deliver a message.
Note/Remember: This episode also serves as a backdoor for the spinoff with the same name as the title!
SheKnows.com sat down with Executive Producer Julie Plec to talk about Elena’s rocky road and the latest events that happened to Klaus;
SheKnows: A lot of people want Elena (Nina Dobrev) to turn her humanity back on, but what do you think of the new, meaner Elena?
Julie Plec: As a writer and as someone who loves doing new things and finding a fresh voice, we love it. We love mean Elena because it’s different. It’s a fun sparkle. She’s nasty, she’s uncompromising and unforgiving, and it gets worse before it gets better for sure. Every time I see a cut of the show I feel it’s so new and fresh. Now I also know you run the risk of alienating people who are traditionalists and purists who like their heroine to be clean and pure. It’s not something that we would leave her there forever. I think it’s all part of the journey. When we decided to turn Elena into a vampire we didn’t want it to be easy. We didn’t want it to be a cakewalk. We needed her to run the whole roller coaster of emotions and of that experience of stuff so she wouldn’t just be, “Oh I’m a vampire, now let’s party and I’m happy.” We knew we wanted to take her as dark as we could take her so that’s where she is now, but we do the roller coaster. We end up down one hill and up another.
SK: It’s obvious Elena is going to go down a darker path. What’s in store for her?
JP: What’s in store for her right now is, honestly, you’ve got these two boys who more than anything want her fixed. In the next episode they recruit some of her friends, as well over the next couple of episodes, in an attempt to get to her any way they can emotionally, whether it’s through nostalgia, memories, through sneaky tricks of confronting her with things she has had feelings for in the past. Really building up to a hardcore intervention where they’re just grasping to do anything to break through to her.
SK: We’ve heard that in order to film The Originals, Joseph Morgan is leaving The Vampire Diaries. He plays a pivotal role in the series. Is Silas going to kill him? How is Klaus going to die?
JP: No. Klaus will step away from Mystic Falls to pursue a mystery that will take him to New Orleans. The idea being that though he won’t return to live in Mystic Falls necessarily, should the spin-off move forward, it certainly won’t be the last we saw of him in Mystic Falls. We’ll see more of him over the course of the season. Of course, if the spin-off doesn’t go to series, he’ll be right there wreaking havoc with Caroline.
Klaus is immortal. The only thing that could kill him is a white oak stake. If he ever dies, then all of our heroes die with him. That definitely ensures his longevity.
Read more @: She Knows.com
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Voters can now choose from 34 nominees, and the top 10 will be featured in an upcoming issue, with the winner gracing the cover.
Click here to go to the website, and pick Candice from the drop-down menu.
Daniel Gillies’ Elijah returns to The Vampire Diaries tonight, and as he’s already teased for us, Elijah’s going to “shock and possibly even horrify.” That’s something fans might need to get comfortable with…
In the issue of Entertainment Weekly hitting stands Friday, we have the exclusive first look at the April 25 backdoor pilot for the Originals spin-off. When Klaus (Joseph Morgan) gets word that witches in New Orleans — a town now run by his protégé Marcel (The Game‘s Charles Michael Davis) — are conspiring against him, he goes to the French Quarter to explore the threat and Elijah follows. What they find is an opportunity to reunite their family in a city they helped settle, but the larger arc for the show might surprise fans even more: “With luck, over a long stretch of time and many, many seasons,” Plec says, “The Originals will ultimately be the redemption tale of Klaus and, possibly, the unraveling of Elijah, who is going to have to maybe get his hands dirty in an effort to keep his brother in check.”
As she’s stated before, it was producers’ appreciation for Gillies’ controlled turn as noble Elijah that birthed the idea of an Original family in season 2 (as initially conceived, he and Klaus weren’t brothers). Gillies says he’s excited to see whatever future the writers script for Elijah, but frankly, he’s more interested in how they could exploit the millennium-old Originals’ pasts. “I’d like to see more of what they’ve uncovered about being vampires, whether that’s flight, or jumping, or invisibility. Those are the supernatural abilities,” he says, “and then you’ve got the abilities that you could learn within a thousand years: What instruments do they play? What degree have they earned in a certain type of kung fu? Which one of them ice sculpts? I’d love to see the extent of their knowledge and skill.”
Klaus, on the other hand, was never supposed to survive season 3: “He was the big bad. You don’t let the big bad live. The big bad’s gotta go, otherwise your heroes start to look foolish for being unable to destroy him,” Plec says. One full season of Klaus was all Morgan wanted too, at first. “I thought that’s sort of enough, because where can it go from there? I don’t want him to turn good and hanging out at the Mystic Grill,” he recalls. But then came Klaus’ teary-eyed, fatal standoff with Mikael in season 3′s ninth episode. “It was one of the first chances I had to really show another side to Klaus entirely with someone who had persecuted him all of his life and where some of that hatred and evil comes from,” Morgan says. “That was when I started to think there’s something in this. He’s not just there as a device to serve the hero’s story line.” (Luckily, he mentioned that to the show’s line producer. “And he said, ‘You know, you should tell Julie because everybody’s under the impression that you want to be done after this season,’” Morgan says.)
“The choice to keep Klaus past season 3,” Plec adds, “was truly born out of how magnificent Joseph is and how much the audience was connecting to him in spite of hating him. They loved to hate him. So knowing that we had a character that powerful, and that there was a spin-off opportunity there, it let us spend season 4 getting Klaus to the place where the character was ready to be the lead of another show. He’s a villain whose family and the people in his life are constantly searching for ways to find redemption for him, and he’s constantly fighting against that instinct. So now, with luck, we get to make a whole series about it.”
And how does Morgan feel now about the possibility of Klaus being saved? “I can say I trust the writers a lot more than I did initially,” he admits, laughing again. “I know wherever they take Klaus, it will be layers on the character that he already is. It won’t be a sudden change of direction where he’s suddenly good. He will always have done these terrible things which he has done, and so he will always have these things to haunt him. I think he possibly is capable of redemption, if there was someone understanding enough to forgive him…. It would be a tremendous character arc.”
The 21st episode of Season 4 carries the name “She’s Come Undone” and will air May, 2nd
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